“Hybrid Marines”
TETI Journal n°2 / 2025 ⚓️
Artists have long been drawn to the sea and ports as sites for inspiration and creative interrogation. The present volume of essays and artworks is concerned with the maritime world, from the coast and the harbour to the open sea, and its rich history of transformation, encounters, and navigations, as well as transnational and transcultural formations. To be followed and activated within an exhibition at @ausstellungsraum_klingental in May 2026.
Contributors: Pavel Aguilar, Bryan Biggs, Thierry Dufrêne, Jan Engels, Gabriel N.Gee, Lori Gibbs, Charlotte Gould, Sibylle Hauert, Dunja Herzog, David Jacques, Antje Kempe, Sarah K. Kozlowski, Dorota Lukianska, José Cáceres Mardones, Jeannette Muñoz, The New Liquidity / Anders Ehlin & Selma Boskailo, Cora Piantoni, Francesca Santamaria, Eva-Maria Troelenberg, Jan van Oordt
Editors: Bryan Biggs & Gabriel N.Gee
@ink_and_spit @gabrielneilgee
Graphic Design: Philippe Desarzens @side_issues
Web Platform: @berenice.serra
Printing: @druckerei_odermatt_ag
Cover: @cora.piantoni
With the support of @prohelvetia @franklin_switz, Ausstelungsraum Klingental. Thanks to Dr. Kate Roy, Olivia Madison Shook, Giulia Busetti
2026
Portheads and Riverbeds
10.5.– 21.6.2026
Ausstellungsraum Klingental
Kasernenstrasse 23
4058 Basel
Pavel Aguilar
Jan Engels
Sibylle Hauert
Dunja Herzog
David Jacques
Dorota Lukianska
Cora Piantoni
Jan Van Oordt
The New Liquidity
Kuratiert von: Giulia Busetti, Gabriel N. Gee, Cora Piantoni und TETI Group
Mit freundlicher Unterstützung von: Schweizer Kulturstiftung Pro Helvetia, IASPIS, the Swedish Arts Grants Committee´s International Programme for Visual and Applied Arts. Der Ausstellungsraum Klingental wird vom Kanton Basel-Stadt unterstützt. Das Jahresprogramm wird von der Schweizer Kulturstiftung Pro Helvetia unterstützt.
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